Life the Musical | The Errant Æsthete

Life the Musical

A new Facebook friend from Toronto tells me its citizenry is very into jazz. It would appear they also share a love of top hats, tails and Busby Berkeley as evidenced in this exquisitely bubbly rendition of “Baby I’m a Fool” by chanteuse Melody Gardot. If the Errant Aesthete were a musical, I feel certain this would most closely approximate it.

So don your most dazzling dressing gown, prepare an aperitif of your choosing, Lillet, perhaps, in fine crystal stemware, run a tepid bath adding just enough crystals to inflate and float those perfect little bubbles, and have a long delicious moment.

VIEW

~ by eaesthete on 08/13/09.

Posted in Uncategorized
Tags: busbyberkeley, JAZZ, Music

2 Responses to “Life the Musical”

Perfect choice for your own musical production. Besides, I’m always a sucker for a happy ending — girl gets boy.

While Lillet would be the more appropriate libation, I’m opting for an Old Fashioned in honor of the return of Mad Men.
Cheers!

Megan said this on 08/14/09 at 08:08:05 | Reply
XOV

Vineca Gray said this on 08/14/09 at 02:08:01 | Reply

Leave a reply to Megan Cancel reply

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L’esprit de l’escalier or esprit d’escalier (stairway wit) is the sense of thinking of a clever comeback in an encounter when it is too late.

The phrase can be used to describe a riposte to an insult, or any witty, clever remark that comes to mind too late to be useful— when one is on the “staircase” leaving the scene of the encounter.

The phenomenon is usually accompanied by a feeling of regret at having not thought of the riposte when it was most needed or suitable.

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As I bounce around online looking for images I always look for the extraordinary, the esoteric, the naive, and the emblematic of a time; works that are not the pieces we often see in design history books.

Just as a map helps us find our way and shows us where we are, looking at design from years past helps us better understand the trajectory contemporary design has taken. DesignObserver.

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Stephen Jones, the greatest milliner of his generation, disagrees.

“Whatever is worn on the head is a sign of what a person would like to be."

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Solitary Walking

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and we see nothing
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The angels
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The Age of Innocence

In this classic novel of old New York, Edith Wharton recreates the city of her girlhood in the 1870s. The Arion edition has been illustrated with photographs of the actual settings of the story.

“Truly a thing of beauty” according to Forbes magazine, this edition celebrates a classic of American literature. The book has a special status as an affectionate record of the streets and buildings of New York City. At every moment of the novel the reader knows where the characters are, walking down a particular street, standing in front of a certain address, looking out the window of a familiar room.

The Arion Press edition is illustrated with images of the novel's actual setting, as they are today, captured by noted photographer Stephen Shore who brought to this project a personal knowledge of the historic buildings and streets that made up Wharton's New York world.

New York Times art critic Michael Kimmelman raved: "The work’s laconic eloquence speaks of an era and a nation."

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The melancholia mood is of a man melting before you: a disturbing image of a disturbed man in a disturbed century. This is one of the last great self-portraits Bacon painted before he went off the rails and went back into to the lazy worn grooves of inane illustration.

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